In pictures: Artist Tamal Bhattacharya’s exhibition – The Cave of Mind

2/9

Conceptualised by artist Jogen Chowdhury, the exhibition also has a curatorial note by Chowdhury, in which he fondly writes about Bhattacharya’s works. Bhattacharya also launched his new book called ‘Ask Mask’ at the exhibition. The book also has glimpses of his collaboration with designer Anamika Khanna. (L to R) Tamal Bhattacharya and Jogen Chowdhury; The cover of the book, ‘Ask Mask’)

3/9

The art exhibition started with a humble ritual of pouring rose petals and candles in a copper vessel. Bhattacharya was joined by his wife Arpita (L), Jogen Chowdhury, Chitrotpala Mukherjee (R) and other noted names from the field of art

4/9

Theatrician Dolly Basu, who is a family friend of the artist, attended the exhibition and remarked on the depth and reflectiveness of the showcased artworks

5/9

Veteran art connoisseur Chitrotpala Mukherjee, who was found marvelling at the exhibited works, shared, “He (Bhattacharya) has changed conceptually. I feel ceramic has found its own identity now as an art form. And I see that in his works”

6/9

Bringing together man and nature is one of the prominent motifs in Bhattacharya’s works displayed at the exhibition. “I don’t plan while creating, it comes to me naturally and I go ahead” said the artist, when asked about his process of conceptualisation. Bhattacharya tries to keep his art as organic as possible. A fingerprint or a broken ceramic or terracotta piece is not discarded, but finds its place in his creations

7/9

As soon as one enters the gallery, Bhattacharya’s photograph with one of his artwork catches the eye. The rage and silent scream amalgamates with the central theme of the exhibition — The Cave of Mind. Be it the imperfections in his artistic expressions or an unabashed portrayal of himself — Bhattacharya’s works leave a deep imprint on the viewer’s mind

8/9

The ceramic murals that are on display depict various concepts. For example, the lion piece (centre) ties two motifs together. While the lion symbolises a child’s toy, it, along with the wheels depict the ever-changing concept of power. It reminds you of the Sanskrit shloka — “Chakravat parivartante sukhaani cha dukhaani cha” (the cyclic change like a wheel with good and bad days). The finer details on the murals remind one of the creative genius of Bhattacharya and his hold over his craft

9/9

A section of the exhibition also has paintings by Bhattacharya. The strong use of animals and nature and the strokes he has used remind us of one of the earliest forms of visual art — the cave paintings. The layered nuances and the use of bold colours will make you stop and marvel